BACK

For best browsing experience use the back button to return to your place on the previous page

Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall
Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900 Provenance: Kirkham Hall Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition Provenance: From Kirkham Hall

LOT NO 8547

STOCK NO 162454

Follower of Claude Michel Clodion (French 1738-1814): The Putti-Faun Orchestra - set of four Italian carved white marble figures of child satyrs as musicians, each finely carved figure depicting a seated putto-faun with youthful features and small goat’s legs and cloven feet, variously playing rustic instruments: a syrinx (Panpipes), a flute, a tambourine and clappers - each raised on an integral waisted square plinth, Italian, circa 1900

Provenance: Kirkham Hall

Notes: Inspired by the rustic god Pan and his followers, these putti-fauns reflect the late-19th-century revival of classical themes popular with Grand Tour collectors; their instruments evoke the god Pan’s pastoral music, while the carving and composition exemplify the appeal of bacchic subjects in the Italian neoclassical tradition
Provenance: From Kirkham Hall

Dimensions:
Height: 63cm 

https://www.davidduggleby.com/files/images/auctions/GUID/0588beb9-e8df-4923-abe0-a519156767d8.jpg"

Bidding Details

SOLD

£2,900

Forgotten my password

Register

Further Information & Condition Report

Attributed to a Follower of Claude Michel Clodion, this exquisite set of four Italian carved white marble figures depicts child satyrs as musicians. Each finely crafted figure portrays a seated putto-faun with youthful features, small goat’s legs, and cloven feet. The charming ensemble showcases the putti-fauns playing rustic instruments such as a syrinx (Panpipes), a flute, a tambourine, and clappers.

Dating back to circa 1900, these sculptures stand on integral waisted square plinths, adding to their elegance. The provenance of the pieces can be traced back to Kirkham Hall, lending a touch of history and prestige to these delightful artworks.

Drawing inspiration from the rustic god Pan and his followers, these putti-fauns capture the essence of late 19th-century classical revival. Perfect for Grand Tour collectors, the instruments depicted symbolize Pan’s pastoral music. The intricate carving and composition of these figures exemplify the enduring appeal of bacchic subjects in the Italian neoclassical tradition. Don't miss the chance to own these captivating pieces, available at Duggleby Auctioneers.


Something like this to sell?

Similar Products

WWI and WWII cigarette cases, including German Gott mit uns example, 1st Lincs regt, R.M.S...

Estimate £50-100

Three WWI trench art tobacco jars including an example with the lid embedded with silver r...

Estimate £50-100

Two Seneshall bronzed resin cats, signed, W21cm and 23cm; together with a bronze effect mo...

Estimate £50-100

Two commemorative bronze medallions, each depicting horses, the first with 'Salon du Cheva...

Estimate £50-100

After Miguel Fernando Lopez (Portugese Contemporary): Power of Silence, bronze modelled a...

Estimate £100-200

Large 20th century Chinese cloisonné egg with butterfly decoration, on stand, H39cm

Estimate £50-100

Carved stone Rhino, W44cm and a pair of two green stone Elephants, W38cm (3)

Estimate £100-200

After Edgar Degas (French 1834-1917): La Petite Danseuse de Quatorze Ans, small bronze fig...

Estimate £120-180

Large set of 19th century brass Apothecary Scales on mahogany single drawer base W56cm an...

Estimate £70-100

19th century German rosewood box with silver plated mounts, W28cm D20cm; 19th century maho...

Estimate £80-120

9ct gold enamel football fob, Birmingham 1930

Estimate £100-150

Miniature brown leather button back Chesterfield sofa, with castors

Estimate £150-250

Bronze figure of a kneeling nude removing her shirt, signed 'Milo', H17cm

Estimate £100-200

Brass hanging oil lamp, H48cm

Estimate £50-100

Quantity of Tudric pewter including small hammered pedestal bowl, milk jugs, sugar bowls e...

Estimate £50-100

Tudric and other pewter including sugar bowls, milk jugs etc, small WMF Art Nouveau dish N...

Estimate £50-100

WMF 'Cromargan' pattern cutlery set, for eight covers, boxed

Estimate £50-100

Victorian silver book chain necklace with alternate engraved links, articulated fish penda...

Estimate £50-100

Sampson Mordan & Co. hexagonal gold combination dip pen and propelling pencil with engrave...

Estimate £200-400

9ct gold extendable toothpick with engine turned decoration, Birmingham 1967, L5cm (not extended)

Estimate £100-200

Wrought iron Kitchen hanging pot rack  L80cm and a brass milk pail

Estimate £100-200

Collection of brassware, including a Cairoware platter and small vase, an Indian box and v...

Estimate £50-100

Asian bronze koro with raised decorative panels, two Indian elephants and one other Indian item

Estimate £50-70

Egyptian bronze figure of Osiris H20cm, another Egyptian figure, small vase and cover and...

Estimate £50-80

After Chiparus - Bronze Art Deco style  figure 'Phoenician Dancer' with foundry mark on st...

Estimate £100-150

Edwardian oak smokers cabinet with carved panel door and hinged lid and a collection of va...

Estimate £50-80

Sheraton design mahogany tea caddy with raised centre section, shell inlay and satinwood c...

Estimate £50-100

Dunhill 'Tinder Pistol' table lighter, registered design number 794093, modelled as a faux...

Estimate £50-100

Six scale wood and metal models of cannons, length of longest 32cm together with a gun car...

Estimate £100-200

Arts & Crafts Design oak sewing box carved with initials and dated 1907, with sliding top,...

Estimate £50-100

George III mahogany knife box with silvered mounts and hinged sloping top converted for u...

Estimate £50-100

Arthur Price Dubarry pattern canteen of cutlery

Estimate £50-100

Two pairs of brass candlesticks, brass bird and bowl, and Staffordshire dog (7)

Estimate £50-70

Four Victorian brass saucepans, largest 17cm, copper saucepan 19cm, copper pan and lid

Estimate £50-80

Canteen of silver plated Kings pattern cutlery for six covers in mahogany box with single drawer

Estimate £50-100

19th century horn snuff mull with silvered mounts and a bronze Nelson intaglio seal

Estimate £70-100

19th century horn snuff mull the cover with silvered mounts and with purple glass inset

Estimate £50-80

Copper weathervane formed as a leaping horse, mounted upon naturalistic base, W77cm

Estimate £250-350

After Salvador Dali (Spanish 1904-1989): Dreams, bronze figure with head resting on hand, ...

Estimate £200-300

Phil Stevenson (Welsh Contemporary): 'Harry's Vase', eckie timber vase signed to base H22c...

Estimate £50-100

Modern fibreglass wall relief - after the east frieze of the Parthenon, depicting draped f...

Estimate £50-100

Coopered oak barrel six division stick stand H62cm

Estimate £220-260

Pair of bronze-effect composition stone recumbent lions, with verdigris-style weathered fi...

Estimate £100-200

Halcyon Days pocket watch and 'Classic Pooh' enamel box, together with a Wedgwood black ba...

Estimate £20-50

Two Victorian brass and copper warming pans, brass preserve pan, oak bellows and other items

Estimate £20-50

Box of miscellaneous items including coloured glass liqueur decanter and tots, two paperwe...

Estimate £20-50

Small amount of silver plated and other cutlery

Estimate £20-50

Set of six dessert knives and forks with silver collars and mother of pearl handles, silve...

Estimate £20-50

Japanese bronze lidded censor, Indian carved wood panel, Coalport figure, continental frui...

Estimate £20-50

Max Elb, Dresden patent charcoal box iron, two others, flat iron, kitchen scales and weights etc

Estimate £20-50

Recently Viewed

Mouseman - mid-to-late 20th century oak ...

Sold For £4,000

What Our Customers Are Saying...

Get News & Updates

Get all our latest news and updates straight to your inbox. Sign up to receive everything you need to know about upcoming auctions, ways to sell, lots we love and much more...

Sign up